Sunday, November 7, 2010

Appetite for Destruction Embodies a Guitar Prodigy


Before the extreme, unpredictable antics of rock ‘n’ roll badboy Axl Rose got too out of control in the 1990s, there was the 1987 album that distinguished Guns N’ Roses as a classic rock band; Appetite for Destruction. The album embodies the band members’ personal takes on the sinfulness and “destruction” that epitomized the L.A. rock ‘n’ roll underground scene in the 1980s.

With hit songs including “Welcome to the Jungle,” “Paradise City” and “Sweet Child o’ Mine,” Appetite for Destruction topped the American Billboard 200 and got the second spot on Guitar World magazine’s the 100 Greatest Guitar Albums of All Time. Backed by the strong guitar solos of Saul “Slash” Hudson and unique vocals provided by Rose, Appetite for Destruction spoke of a world wildly infused with sex, drugs and rock ‘n’ roll. The album has sold over 28 copies worldwide and is certified 18X Platinum in the Unites States. With so much recognition, Guns N’ Roses began to open for legendary bands including Iron Maiden and Kiss. With ever-growing inspiration and fame, Guns N’ Roses embarked on their most ambitious studio undertaking with the Use Your Illusion albums. Such future fame and renown can be attributed back to the genius and success of Appetite for Destruction.

With many band member altercations and eventually a complete breakup, it took Axl Rose 15 years to release a new album under the Guns N’ Roses name, entitled Chinese Democracy. Despite critic success, the album has sold only five million albums worldwide. It won’t be easy for Axl to live up to the brilliance and legend which is Appetite for Destruction.

My Big Friggin’ Wedding Showcases “Bridzillas” of the East Coast


New Jersey and Long Island women may not make for the easiest brides-to-be, but they certainly make for the most wild and entertaining. Think of the cast of the Jersey Shore mixed with those ever-so-sweet women from WEtv’s Bridezillas, and what do you get? The ingredients for VH1’s new reality show My Big Friggin’ Wedding. The show follows five couples – three from New Jersey and two from Long Island – as they prepare for their big day, bringing their Italian families and sharp, in-your-face attitudes along for the ride.

From the same producers who brought you Jersey Shore, it’s no wonder that My Big Friggin’ Wedding looks to be one of those shows that will make you want to slap yourself in the face while watching. Even so, you’ll find yourself tuning in every Monday night for the nonstop petty catfights and loud, robust family dinners. Take, for example, the couple Sandra and Joey. Joey loves his “spoiled rotten daddy’s girl” and Sandra can’t keep her eyes off of her “hot-tempered goomba,” but both have such headstrong, conflicting personalities that it will be a miracle if their wedding day goes off without a hitch. Sandra would like the DJ to play classic wedding party tunes while Joey is more into the electronic, “fist-pumping” sound. While Sandra would like simple, classy wedding invitations, Joey has constructed a bright, promotional flyer announcing their special day.
There are 10 episodes in this season, and it will be interesting to see which couples make it to the end without killing each other first. Either that or drink themselves into a stupor.

Catch My Big Friggin’ Wedding on VH1 on Monday nights at 9 p.m.

Thursday, October 28, 2010

Schaefer Farms in Flemington NJ

Schaefer Farms’ Fright Fest in Flemingon, NJ offers four nightly Halloween attractions for the price of one throughout the whole month of October.

Schaefer Farms, a family-run farm located in Hunterdon County that offers local milk, butter, honey, cheese, flowers and homemade candles, welcomes October every year with daily hayrides that trail the farm’s forty acres of pumpkin patches. The hayride is free for individuals who purchase a pumpkin. On Friday, Saturday and Sunday nights throughout all of October starting at 7 p.m., Schaefer Farms opens its Fright Fest, which includes a 45-minute hayride through 200 acres of land.

The hayride, which the Schaefer staff does not recommend for children under eight years old, sits over 20 people plus two staff guides dressed in Halloween apparel. Before the ride begins, the guides lay out the standard set of rules.

The hayride includes brief, 3-minute stops at numerous attractions, where costumers stay onboard the ride as employed-actors perform scary, Halloween scenes. In the middle of the ride, the tractor stops and allows riders to get off at the Trail of Terror, a graveyard scene where actors who play the “living dead” chase unsuspected individuals back to the already positioned hayride a half-mile away. Upon arriving back at the hayride, riders are then dropped off at the Schaefer’s Mass-Acre Maze.

The one-way maze, which covers an entire corn field, finds five Schaefer Farms workers dressed as Jason Voorhees – from the American horror film franchise Friday the 13th – hiding among the corn stalks, waiting with prop chainsaws to chase unsuspected individuals. If people “survive” this chase, they exit the maze and come to the last segment of Fright Fest, a haunted house called the Carnival of Chaos located in the main barn of the farm. In groups of no more than ten, individuals enter the dark barn and are immediately enveloped in a layer of fog, procured through the special effects of dry ice. Employees dressed as clowns and demons hide behind corners and jump out at individuals until the very end, where costumers exit and find themselves back at the main entrance to Schaefer Farms.

Before or after visiting the Fright Fest attractions, individuals may enjoy apple cider, hot chocolate, hotdogs, and other concession food items located at five separate vendors near the entrance to the Schaefer property. Other snacks and Halloween decorations are on sale in the main garage, where people can also buy their Fright Fest tickets for $22 per head.

The last night of Fright Fest is on Halloween, Sunday, October 31. Tickets for Fright Fest stop selling at 10 p.m. on Fridays and Saturdays and 9 p m. on Sundays.

Sunday, October 24, 2010

Jackass 3D breaks Fall Box Office Record


Camouflaged bullfighting, blue-paint splattering Porter Johns, and flying feces. There’s no such thing as taking it “too far” when it comes to the Jackass crew, who gained notoriety for making fools of themselves on MTV’s hit reality prank show that first aired in 2000. Now bringing their wild antics to the big screen for the third time, Johnny Knoxville and crew continue to keep the laughs coming with even more cringe-worthy stunts and escapades, this time with the help of 3D effects (at least for those individuals who enjoy naked man parts and Steve-O’s constant vomiting flying at them from all directions).

In its opening weekend, Jackass 3D brought in a record-breaking estimated $50 million in over 3000 theaters, making it the most successful Fall opening film ever. Its success even surpasses the gross incomes of the first two movies, which brought in $22 million and $29 million on their opening weekends.

It seems that a movie does not need to have a solid plot as long as it includes immature, dude-like humor and ridiculous, dangerous stunts and pranks. Jackass 3D follows the same premises as its past movies and TV series – the more pain, torture, and grossness the more likely laughs and entertainment are to ensue. Although the Jackass boys appear to be running out of unique ideas when it comes to their stunts (there’s just so much stupidity in hitting each other in the groin and consuming a variety of disgusting bodily fluids before it all starts to blur together) fans are still pleased with the overall mood and success of the Jackass saga.

It’s not common when someone goes to a movie that they will laugh nonstop among fellow audience members throughout the entire film, but that’s exactly what it’s like at a Jackass screening, which makes it all the more fun.

This film’s closing stunt definitely out-grosses all prior movies, with Steve-O launched by a bungee-like contraption into the air while inside a port-a-potty filled to the brim with various human and animal excrements. Picture that in 3D affects, and one will realize that event after 10 years, the Jackass crew still does not fail to shock and disgust – but in the most entertaining, hilarious way possible.

Friday, October 22, 2010

The West Portal Pumpkin Patch in Hunterdon County

The West Portal Pumpkin Patch in Asbury, NJ offers a family-friendly atmosphere this October, with pumpkin picking and apple cider drinking for all to enjoy.

Located at the West Portal farm, the pumpkin patch is open on Thursday and Friday 2-5 p.m. and 12-5 p.m. on Saturday and Sunday throughout October. For $1 per person, individuals can enjoy a 15-minute hayride around the West Portal property, which includes numerous separate corn and pumpkin fields. The crops are rotated every year to keep the land irrigated, and this year the commercial pumpkin patch – where hayriders are allowed to dismount and pick their own pumpkins– is located in field farthest from the main property. Ongoing hayrides throughout the afternoon also provide pumpkin-pickers with a ride back to the main entrance.

Pumpkins are sold at 50 cents a pound, and if people do not wish to take the hayride, pre-picked pumpkins are set aside in a barn located next to the entrance and parking lot. The barn, which typically holds barrels of hay throughout the year, morphs into a Halloween exhibit for the month of October. Candy and apply cider are sold, along with many festive knickknacks, including Frankenstein stuffed-animals and candy corn dish plates.

Parents can tire out their kids by letting them tumble through the playground of haystacks located behind the barn. A small, fenced-off petting area – where kids come face-to-face with goats, chickens and cows – sits across the dirt path where the hayrides load and unload passengers. For 25 cents, individuals can get a handful of corn to feed to the animals.

People can test their memory skills by daring to partake in the two corn mazes, webbed in the two fields closest to the farm’s entrance. The first, moderate maze costs $5 and takes approximately 40 minutes to get through. The second maze, bigger and with more twists and turns, should take closer to an hour to decipher. Each person is given a map as a guide before entering the maze. From an aerial view, each maze depicts a different spooky, Halloween-themed design.

For those who want to save money but still enjoy a day out in the autumn weather, decorated picnic tables and other Halloween attractions are located throughout the farm to provide a festive mood. The hilly landscapes around the farm offer a view of the fall foliage, a popular attraction of the season.

The West Portal Farm is located in the city of Asbury in Hunterdon County on 274 Asbury West Portal Rd. For party reservations and more information, call 908-479-1487.

Sunday, October 17, 2010

A number of Horror Films set for an October release, just in time for Halloween


It's that time of year for big-time movie labels to get their fair share in of October horror movie releases. Already out this month include the hugely advertised films Let Me In, Case 39 and My Soul to Take and the widely anticipated upcoming releases Saw 3D and Paranormal Activity 2 are already stirring up commotion on the web. Here’s a take on which movies horror enthusiasts should consider spending the time and money to see, and which ones are better left to the imagination.

Case 39, directed by Christian Alvart and starring Renee Zellweger, follows social worker Emily Jenkins (Zellweger) as she struggles to save and then kill 10-year-old demon child Lilith Sullivan. The film’s opening weekend brought in an estimated $5,350,000 nationwide, but has received mostly negative reviews. According to the popular online movie review site Rotten Tomatoes, “Director Christian Alvart has a certain stylish flair, but it's wasted on Case 39's fright-less, unoriginal plot.”

My Soul to Take, also out in 3D, gained a lot of hype because of its infamous horror movie director Wes Craven. The film, similar in plot to Craven’s A Nightmare on Elms Street, just opened this past weekend and thus far has received very negative reviews. Many critics consider it Craven’s worst film yet, and movie-goers say that the plot has no sense of the teen-slasher/horror vibe that the renowned director is chiefly known for.

Let Me In, directed by Matt Reeves and based on the original 2008 Swedish film Let the Right One In, is about a young boy who forms a friendship with a mysterious vampire girl who strives off of human blood. Released the first weekend in October, it is so far the only horror movie to gain positive reviews this month. Many consider it an eerie film which successfully captures the heart of the original with enough uniqueness that allows it to stand on its own as a horror film.

Paranormal Activity frightened viewers last year with its campy feel reminiscent of 1999’s The Blair Witch Project. Trailers for the sequel look very similar to the original film, but this version involves a baby, which typically adds an extra dose of spooky. Saw 3D is set to be the final chapter of the seven series saga. Writers Patrick Melton and Marcus Dunstan have kept audiences screaming and cringing with their morbid scenarios and plotlines involved in the Saw films, and the 3D effects featured in the upcoming release have fans talking. The film was original rated NC-17,but was resubmitted six times in order to secure an “R” rating, so should please horror fans interested in the macabre and gruesome.

Paranormal Activity 2 is set to open nationwide October 22, and Saw 3D opens Friday, October 29.

Monday, September 13, 2010

Scre4m slated to begin a new Scream Trilogy


The world of horror seemed reinvented in the mid-1990s when the young Drew Barrymore was chased and slaughtered by a knife-wielding prank caller, while her parents listened to her screams and pleads of help through the telephone a mere few feet away. That opening scene of 1996’s Scream, directed by horror icon Wes Craven, came to impact the horror film industry just as the opening scene of Halloween did back in 1978. Now the fourth installment of the Scream saga is ready to be released (Scre4m) in April 2011, and fans are anxious to see if the film will live up to its original thrills and scares, or tapper off into a made-for-money disappointment.

Scream, although not the best-made horror film, gained a lot attention with its success at poking fun at the entire horror genre industry, while simultaneously providing a good plotline with entertaining thrills and chills. Starring Neve Campbell, Courtney Cox, Jamie Kennedy, and David Arquette, Scream centers on a small town in California , terrorized by a masked madman who likes to quiz his victims on horror trivia before he surprise attacks. He has his eye set out on high schooler Sidney Prescott ( Campbell ), and her friends start falling victim one by one. The film provides its own unique plotline while incorporating classic scenes from horror hits such as A Nightmare on Elms Street and Halloween.

Scream 2 and Scream 3, although not as great as the original, both received rather positive feedback from both moviegoers and film critics. Both movies brought back the original lineup of characters (the ones that happened to survive) and continued the storyline of the first film, with copycat murderers flaunting the infamous Scream mask.

Most horror films of the 21st century, especially sequels, have either bombed in theaters or received rather negative reviews. Scream was originally meant to remain a trilogy, but after ten years Craven and writer Kevin Williamson thought it was time for another film. Scre4m will include much of the original cast, including Campbell, Cox, and Arquette, and is meant to be the first film of a second Scream trilogy.

The onstage chemistry between these seasoned actors is evident throughout all the Scream films, and will hopefully not let down fans in this newest installment. The fourth script apparently lives up to the fame of the last three, with an energetic, entertaining, and frightening plot, with new and old blood added to the mix. If Scre4m is able to provide an opening scene as entertaining and gut-wrenching as its predecessors, it is sure to be a classic-in-the-making.

No Kanye/Swift Repeat at the 2010 VMAs


MTV’s 2009 Video Music Awards brought heaps of celebrity drama and heated confrontations, making it one of the most-watched events out of the awards’ 26 year history. The infamous Kanye West freak out, where he rudely interrupts Taylor Swift’s acceptance speech for Best Female Video, exclaiming, “I'm sorry, but BeyoncĂ© had one of the best videos of all time,” along with Lady Gaga’s controversial performance and insane outfit changes, were just some of the hype that people were still talking about leading up to this year’s awards. Although not as entertaining as 2009, this year’s VMAs – which aired this past Sunday from Nokia Theater in Los Angeles at 9 p.m. – brought some amazing performances and rather impromptu appearances, including a rather rowdy onstage-takeover by the cast of Jackass.

Marshall Mathers, better known as Eminem, opened the show with an emotional rendition of his new hit single “Not Afraid.” Eminem stepped out onto a futuristic stage clad in white pillars with retro lighting and interactive background drops. Rihanna made a surprise appearance on the song “Love the Way You Lie” to close the act.

VMA host, comedian and infamous celebrity-insulter Chelsea Handler, bombarded the crowd with a parody dance sequence from Lady Gaga’s epic “Bad Romance” video and a rant of insults aimed at prime, young artists of the night, including Taylor Swift and Justin Bieber. Handler did not fail to shock with comments about her “getting high with Snoop Dogg backstage” and that “everyone from New Jersey who stays there eventually gets herpes.”

The first VMA of the night, Best Female Video, was rightly awarded to Lady Gaga for her video “Bad Romance.” She accepted the award clad in one of her insane costumes, finished with a gold mohawk head piece, and thanked the number of soldiers affected by the “don’t ask, don’t tell” policy sitting in the audience who accompanied her to the show.

One of the more anticipated acts of the night, Justin Bieber, took the outside stage surrounded by a herd of rowdy young teenage girls and fans. For a first-time VMA performer, Bieber succeeded with strong vocals and an impressive dance sequence, along with a great closing drum solo. Veteran performer Usher led a seductive set following Bieber, featuring an intense laser light show along to his summer hit, “OMG.”

Making their American debut, Florence + the Machine executed one of the most impressive acts of the night, with Florence Welch’s awesome vocals on “Dog Days are Over.” A combined act with Bruno Mars, B.O.B, and Paramore also proved to be a top performance of the night.

Taylor Swift drew on last year’s Kanye fiasco in her acoustic performance, but unfortunately no on-stage take over occurred to make the scene more exciting.
Some of the bigger awards of the night included: Best Male and Hip Hop Video to Eminem for “Not Afraid,” Best Pop Video to Lady Gaga for “Bad Romance,” and Best New Artist to Justin Bieber.

One of the highlights of the night included when Handler jumped in a hot tub with the crew from MTV’s Jersey Shore, and came out with a new baby bump, joking that the Jersey Shore kids must not clean out the hot tub very often.
Cher, with her big hair and leather jacket, announced the last award of the night, Video of the Year, to Lady Gaga for her video “Bad Romance.” Gaga closed the award ceremony with a teary-eyed salute to her fans.

One of the most anticipated performers of the night, Kanye West, led a rather ironic closing set, singing, “Let’s have a toast for the douchebags… let’s have a toast for the scum bags.” No matter how pompous or conceited, Kanye’s talent and influence can never be denied, even if he happens to be stealing the limelight from a 19-year-old girl.

This year’s VMAs seemed to cater more towards live acts and performances over the actual handing out of awards and acknowledgments. Could it be that MTV did not want another dramatic encounter similar to that of the Kanye and Swift debacle? Although the 2010 Video Music Awards made for a good time to learn about new artists and enjoy the sounds of old-time favorites, the show could have proved more entertaining with less strategic planning and more random surprises and appearances.

Sunday, August 22, 2010

The Bad Girls Club throws down in Miami


You would think that over-the-top cat fights, prima donna tantrums, and excessive screaming and crying would eventually annoy the typical reality show junkie, but not when it comes to Oxygen’s reality hit Bad Girls Club. You cannot expect anything less dramatic when you shack up a group of rowdy, alpha dog young women in a mansion smack-dab in the middle of the L.A. or Miami party scene. Throw in some alcohol, boys, and PMS, and you have a beautiful disaster just waiting to happen – a disaster that brings in better reviews and more followers with each new season.

The first season of Bad Girls Club, filmed in L.A. in 2006, started off with a bang when one girl got into such a drunken frenzy, she attacked two of her fellow housemates, tearing apart the clothes of one and pouncing like a rabid animal on the other while she was asleep. Numerous backstabs and hair-pulls later, Bad Girls Club is now in its fifth season, with the objective of the show remaining the same – fight, drink oneself into a stupor, hook up with random guys, fight again, throw glasses, pass out, repeat. However embarrassing or repetitive, such a concept never seems to get old or fails to entertain.
Moved from L.A. to Miami, Bad Girls Club season 5 already sees drama break out in its first episode, when a group of girls gang up on one specific (and very much conceited ) house member, packing up her things and locking the bags outside while she is out partying. The girls continue to upset and harass her so much it causes her to throw a tantrum and consequently leave the Bad Girls house only after one night. Every night the fights get louder and gaps between enemies of the house grow wider, sometimes calling for production and security to intervene before things get too out of hand. The major appeal of such debauchery is that one is not directly involved in the chaos, but can safely watch and laugh from the couch at home while these young women – in their booty shorts and hair extensions – fight to claim the title of Queen Bitch of the Bad Girls house.

The Bad Girls Club perfectly combines the right amount of sugar and spice to keep both self-proclaimed bad girls and even those considered goody-two-shoes amused and coming back for more. Just goes to prove that yelling and making an overly-dramatic scene really can get you what you want in the end.

Check out the wild antics of the girls on Bad Girls Club, Tuesdays at 9 p.m. (ET/PT) on Oxygen.

Animal House still Big On Campus


Before Jason Biggs made it so people could never look at an apple pie the same way again in American Pie. Before Will Ferrell made heavy drinking while simultaneously streaking naked down the street funny again in 2003’s Old School. Before these modern-day college favorites was 1978’s ultimate frat boy classic National Lampoon’s Animal House.

Staring the legendary John Belushi as the sloppy, Jack Daniels-totting “Bluto” and Tim Matheson as the smooth-talking and flirtatious “Otter,” Animal House highlighted the crude and crazy lifestyles of the boys of Delta Tau Chi outside of the college classroom. With its crude humor (Otter pretends that a recently deceased college girl is his fiancĂ© in order to get gullible sorority sisters to go out with him and his friends) and pure laugh-out-loud fun (Bluto pretends he’s popping a zit with his mouth, spewing chewed up food everywhere and causing mass hysteria in the cafeteria) Animal House makes for a classic that the college kids of today and the alumni of yesterday can both enjoy.

Directed by John Landis, Animal House received mixed reviews upon its first release in theaters, but over time has grown to become an American comedy icon, grossing over $141 million including video and DVD purchases. No matter how many times one watches this film, withholding smiles and laughs is simply impossible. Belushi makes for the perfect degenerate college kid, drinking and eating his days away instead of going to class, resulting in a 0.0 GPA. Stephen Furst makes for great fresh meat as “Flounder,” the stereotypical freshman and fraternity pledge, trying to please everyone while making a complete fool of himself in the process. The closing scene, where the whole fraternity crashes the annual homecoming parade, makes one want to get up and cheer for the underdog good guys who get the last laugh in the end. Who would not want to seek revenge on the town and school board after Bluto’s impassioned speech, where he proclaims, “Was it over when the Germans bombed Pearl Harbor?! Hell No!” What makes this comedy come full circle in the end is learning that each “bad seed” in Delta Tau hits it big later in life, with Bluto becoming a US Senator and Otter becoming a successful gynecologist in Beverly Hills.

Animal House has made it on the New York Times’ The 1000 Best Movies Ever Made and Bravo’s 100 Funniest Movies. With its wacky cast and its vile yet hilarious humor, Animal House remains a favorite among college campuses nationwide, with the Delta toga party theme still in full force.

Sunday, August 15, 2010

The Jersey Shore fist-pumps its way to Miami, bringing “GTL” with it


GTL – Gym, tan, laundry. Just one of the many phenomenons made mockingly famous by the now infamous crew of MTV’s The Jersey Shore. With Nichole “Snooki” Polizzi’s fuzzy orange slippers and drunken escapades and Mike “The Situation” Sorrentino’s excessively flaunted six-pack, it seems that the so-called “guido” and “guidette” cast of seven always manages to find a new and wild way to entertain. But with the second season already headed into its fourth episode of the summer, it remains to be seen whether the instant fame and fortune brought by the show’s overall success will overshadow the raw and unscripted amusement which first embodied the allure of The Jersey Shore.

In The Jersey Shore’s first season – filmed in Seaside Heights, NJ – some of the footage and events captured were so hilarious and jaw-dropping that it was stuff even the hot-shots at MTV could not make up. Snooki gets punched in the face by a grown man, The Situation and his sidekick Paul “DJ Pauly D” DelVecchio give unattractive girls they encounter the nickname “grenade” – both examples of some of the rather embarrassing but still hugely entertaining things that went down at the Jersey Shore in 2009. Many make fun of the cast and detest them for bringing an even bigger bad rep. to the Jersey Shore, but the show is like a bad train wreck; something that people do not wish to enjoy, but still cannot tear their eyes away from.

Now in its second season, the crazy kids of The Jersey Shore return to wreck havoc and turn heads in Miami, FL. Things do not seem to be much different – with petty cat fights still breaking out in the house and random, hilarious, drunken hook-ups taking place every night – but with the cast now open to fame and attention, Jersey Shore fans can only hope that Snooki and her pals continue to keep it real and “Jersey” in front of the cameras.

The second season was filmed this past winter and the third season is already in the works back in Seaside Heights – the problem being that The Jersey Shore crew is so recognizable and widely known that they now cannot walk down the boardwalk without a mob of crazed beach tourists or fans following their every move. Snooki’s arrest for disorderly conduct in late July was already broadly covered on many entertainment blogs and outlets. Seaside Heights is a notorious hangout for young partiers and it is not uncommon to find intoxicated individuals roaming the boardwalk at all times of the day. Could it be that things got out of hand and Snooki happened to be the one arrested due to the swarms of people taking note of her every move, drawing the cops’ attention to her “situation”?

The third season already sees house frenemy Angelina Pivarnick replaced with Snooki’s friend and partner in crime Deena Cortese, but if MTV hopes to keep the legend of The Jersey Shore alive, it might be time to sadly retire the old cast and bring in a crop of freshly tanned newbies. It does not seem that the success of The Jersey Shore will continue if the cast believes themselves to be as popular as Jersey’s own Bon Jovi.

Check out how The Jersey Shore fist pumps its way through Miami on Thursdays at 10 p.m. (ET/PT) on MTV.

Green Day brings their 21st Century Breakdown to the Stage


Even after 22 years, Green Day proves their rock ‘n’ roll talent and wisdom on their latest world tour installment, 21st Century Breakdown. Frontman Billie Joe Armstrong’s crude humor and energetic stage presence – not to mention his insane guitar riffs and smooth vocals – makes for an entertaining, jam-packed show of great music and impromptu acts of rebellion. Just be sure to get front row seats if one hopes to truly experience the glamour of a 21st century Green Day performance.

Armstrong and drummer Tre Cool heavily rely on the crowd’s energy and enthusiasm when it comes their elaborate stage acts, marked by timed pyrotechnics and confetti storms. At the beginning of their set at the PNC Bank Arts Center in Holmdel, NJ, the sold-out crowd was lacking in this much needed audience participation. As the night grew on, however, Green Day did what they do best – pump up the crowd and make for one unbelievable live music experience. Good thing that the band not only has strong onstage charisma, but also pure talent when it comes to the music. Billie Joe seemed to cater primarily to the first few rows of the audience, pulling kids onstage to sing along and to take pictures with the band. Although it was fun to watch a rowdy preteen get kicked in the behind by Armstrong while attempting a stage dive, having the show interrupted by constant audience participation eventually got somewhat frustrating, especially for those sitting in the lawn section with no chance of getting close to the stage. However, Armstrong’s exceptional vocals, especially on songs including “21 Guns” and “Good Riddance,” along with solos by veterans Tre Cool and bassist Mike Dirnt, provided a unique performance experience for both front row and nosebleed-seated individuals alike.

The members of Green Day live and breathe rock and punk music, and they focus all their energies onstage towards the crowd, drawing from it and making sure everyone gets what they pay for. They are seasoned performers when it comes to playing as a band, and every rhythm and beat is hit on time with precision and strength. Armstrong, Cool, and Dirnt sometimes make it look too easy, given their amazing camaraderie and passion. It would almost be satisfying for the band to go back to their hardcore punk roots of the 90s, with more rawness, edge and grunge. Armstrong still enjoys showing his true colors, however, as he proved by pulling down his pants and mooning the crowd on more than one occasion throughout the night.

A highlight of the night included Green Day’s rendition of The Isley’s Brother’s “Shout,” with Tre Cool jumping from his drum set and stealing the microphone from Armstrong, dressed in a bright red bra and a large lady’s hat. Armstrong finished off the song with a combination of chorus lines from other classic rock bands, including Guns N Roses, ACDC, and The Rolling Stones. Even with a strong performance marked by all the band’s hits both old and new, Green Day is sure to throw in one stunner to really keep the crowd on their feet.

Check out Green Day as they continue touring with opening band AFI on the 21st Century Breakdown Tour. Also check out Green Day music on Broadway in the show “American Idiot,” which includes all songs from 2004’s American Idiot along with many others from the album 21st Century Breakdown.

Monday, August 2, 2010

Lohan set for Beach Recovery after Jail Stint


It seems that the hardcore party life of a young, Hollywood starlet proves too much for good-girl-gone-bad Lindsay Lohan. After many troubles dealing with drugs and alcohol and her rather haughty attitude (on and off the set), Lohan has found herself in the same predicament as fellow Hollywood wild child Paris Hilton and rebel Khloe Kardashian – behind bars with pending plans to enter rehab upon release.

In May of this year, Lohan failed to show up in court for a scheduled hearing on her DUI progress report from incidents dating from May 2007, in which she was charged twice with the misdemeanor of driving while under the influence of alcohol. Small amounts of cocaine were also found in her possession at these times. After a small stint in jail (lasting less than two hours) and many failed attempts at rehabilitation, Lohan seemed to understand that she needed to get her life back in order and sober up, but the fast life and glamour offered in Hollywood still got the best of her in the end.

After a July 6 hearing that determined Lohan had indeed violated terms of her probation by not showing up to her scheduled alcohol education classes, the judge sentenced Lohan to 90 days at the Lynwood Correctional Facility in California beginning July 20. After serving her time Lohan will then be required to enter a rehab facilitation for another 90 days. According to LA County Sheriff officials, in order to prevent jail overcrowding, Lohan will probably only serve 13 of her 90 days sentence, given the nature of her non-violent crime. Lohan is set to be released the beginning of August.
The main question now is what rehab center will be lucky enough to supply treatment to the controversial, rebel princess of Hollywood. According to TMZ and other sources, Judge Marsha Revel has ordered Lohan to enter a satellite compound in Costa Mesa – an extension of the Morningside rehab facilitation centered in Newport Beach, CA after jail.

Although a huge paparazzi affair, Lohan’s stint in jail may prove to be the dose of reality that she needs to turn her life around. Lohan hoped to get some time off between jail and rehab in order to spend time with family, but Judge Revel has ordered that Lohan only have one day to check into rehab after leaving Lynwood. Although there are rumors abound that Lohan has been given special treatment while in jail, her sentencing and seemingly concrete recovery regimen makes it appear as if Lohan will not get off the hook so easily this time around. Hopefully the sun and sand with rehab by the beach will not overplay Lohan’s need for strict treatment and recovery. It’s time for the star of Mean Girls to get her head back on her shoulders and come back to Hollywood a healthier and more motivated celebrity.

Wednesday, July 21, 2010

311 Brings Unity to PNC Bank Arts Center in Jersey


A young crowd begins to fill the lot at PNC Bank Arts Center in Holmdel, NJ, pulling out grills and coolers and starting friendly games of touch football. The scene is relaxed and serene this early July evening, even with the numerous undercover cop cars and police officers roaming the rows of parked vehicles, checking Ids and questioning individuals if things seem to be getting suspicious or troublesome. Since numerous accounts of injuries and deaths related to underage drinking during shows back in 2007, the security at PNC has pulled into overdrive, banning any tailgating or drinking in the parking lots before shows. However, over the past few years such rules have been given more leniency during specific shows, including The Unity Tour featuring 311, The Offspring, and Pepper. The unique crowd of laid-back individuals is not here to cause trouble or violence, but to enjoy a summer show headlined by one of the most popular, modern rock-infused reggae bands of today’s generation.

The entire show has a strong feel of beach and sun, starting with Pepper’s amazing set, which features a stage lined with surfboards and band mates clad in swimming trunks. Lead vocalist Kaleo Wassman has such strong, smooth vocals and a rather demanding stage presence that the crowd has no choice but to stand up and dance along to the dub-reggae beat led by a heavy bass-laden sound. Hailing from Kailua-Kina, Hawaii, Pepper brought their laid-back surfer vibes to the mainland and hit the crowd hard with their popular single, “Dirty Hot Sex.” Pepper is set to release a self-titled album sometime this year, and gave the audience a sneak-peak by playing one of their new singles, “Wake Up.”

Opening punk rock band The Offspring takes the stage just as the venue begins to fill. Formed in Huntington Beach, California in 1984, The Offspring has produced many hit singles over the years, including “Self Esteem,” “Why Don’t you get a Job?,” and the hilarious “Pretty Fly for a White Guy.” With their witty, catchy lyrics and pop punk sound, The Offspring is credited as being a major influence in the revival of mainstream punk rock in the 1990s. Lead vocalist and guitarist and founding member Dexter Holland led a strong set, greatly exhibiting his thorough experience and mastering of live performance. Although the set lacked rather popular songs that seemed to let the crowd down when the band promptly left the stage without playing them, The Offspring epitomized a band full of musicians that love what they do and who know how to win over an already wound-up crowd.

The five-member crew of 311, hailing from Omaha, Nebraska, produces sounds of pure rock and reggae that one would not expect from a typical Nebraskian. After financing many of their own first tours, 311 began to be recognized as a force to be reckoned with and as of today, all of their studio albums have hit the top 15 of the Billboard Top 200. Frontman Nick Hexum jumps on stage in his typical, simple white tank top fashion, and explodes into a fury of rhythm guitar. DJ Doug Martinez makes 311’s sound unique with his advanced turntable skills and backup vocals. 311’s hit single “Amber” seemed to be the favorite of the night, led with precision by bassist Aaron Wills.

The crowd was content with 311’s set of old favorites mixed with newer hits off of their 2009 album Uplifter. Hexum seemed to hit every note and not once appeared to be off key or to have missed a single beat. 311’s jazzy/rock fusion provided by the drum beats and guitar rhythm mixed with Hexum’s almost hip-hop, rap-like vocals makes for a unique sound that cannot be placed into any specific genre. 311 ended the night with a great instrumental culmination paired with an awesome light display.

The peaceful and positive vibes displayed by all three bands made for a night marked by great music and unity rather than unwanted hostility or dilemma. Like the laid-back atmosphere as displayed in the parking lot that did not call for an abundance of police interference, The Unity Tour provided a great summer night of live entertainment and safe partying that all concert-goers and 311 fans seemed to enjoy.

Pepper and The Offspring will continue to open for 311 throughout the summer 2010 Unity Tour.

The “Showmances” and Sabotages of Big Brother 12


Everyone get ready for another season of lies, deception, secrets, and of course everyone’s favorite meal – slop – with another rendition of the hit summer reality show Big Brother. Now in its 12th season, Big Brother is back with more twists and turns to keep both players and viewers on their feet, with a new “showmance” and strong team alliances already in the making.

Big Brother 12, which premiered on CBS on July 8, started off with host Julie Chen shocking everyone with the game’s new twist that a “saboteur” lurked among the players. This individual’s sole intent would be to ruin everyone else’s game and survive elimination until week six in order to come out of the house $50,000 richer. Every other player would still be fighting to make it through the entire 75-day competition for the chance to win $500,000.

Big Brother – based on a similar Dutch reality television show – first premiered in the United States in 1997. Although there have been many rule alterations throughout the years, the main concept remains the same. A group of players (season 12 has 13 guests) compete in an isolated house, which is video-surveillanced 24/7, for approximately three months with weekly competitions and elimination. Each week there is a new Head of Household, a player who decides which two individuals will be put up on the block for elimination that week. These two players then get a chance to save themselves from elimination by winning the Power of Veto. If won, the person in question may take him or herself off the block in order for another person to take their place. A new player is voted off each week. The player to make it to the end wins $500,000. Secret alliances and deceit rule the game, given that greed and money supersede any sense of true friendship or morality. Although a harsh reality, such corrupt humor and backstabbing keep viewers coming back for more each season.

Unfortunately, Big Brother’s attempt at making the game more exciting this season has come to a standstill, given that the first player to be voted out of the house was 27-year-old Annie Whittington, the individual who viewers recently found out was playing the saboteur. The twelve remaining houseguests still have no idea that the saboteur no longer lies in wait to ruin their game, so the big question remains whether Big Brother will slash the concept altogether, or go with the flow and keep the players on their feet with more lies and tricks.

Heading only into its second week, Big Brother 12 has already had its first dose of bickering, alliance-making, and not so subtle snuggling among the houseguests. Rachel Reilly, a well-endowed VIP cocktail waitress with fiery red hair, is already cuddling up and sharing bed with 30-year-old Brendon Villegas, a high school swim coach from California. Although these two players were first put up for elimination in order to break their already strong alliance, Villegas won the Power of Veto and took himself off the block, with Whittington taking his place. Another four-man strong alliance called “The Brigade” – headed by 32-year-old Jersey boy Enzo Palumbo – seems to be running the game as of late.

Although Enzo’s leadership and Jersey attitude may lead him far in this game, it is the neutral, quiet players – including 40-year-old Deputy Sheriff Kathy Hillis and 24-year-old Kristen Bitting from Philadelphia – that the others need to watch out for later in the game.

Big Brother airs on CBS on Sundays, Wednesdays, and Thursdays at 8 p.m.(ET/PT). Big Brother: After Dark, a spin-off show on Showtime 2, airs three live hours of footage from the house every night.


Click here for the Big Brother network, Big Brother

The God and Guns Tour Units Classic Southern Rock


There were not as many Alabama license plates or Confederate flags scattered among the tailgaters at the PNC Bank Arts Center parking lot as one would expect at a Lynyrd Skynyrd show on a clear Friday evening in Holmdel, NJ. Even so, the feeling of unity, love and the need to have a good time at the expense of some classic, live, southern rock ‘n’ roll music was evident among all the audience and performers in preparation of the fourth of July weekend. Lynyrd Skynyrd, Bret Michaels, and 38 Special didn’t disappoint with their crisp, guitar-infused sets and harmonized shouts to support the troops and come together as one peaceful nation, all while drinking and rallying along onstage to give the audience a show to remember.

The God and Guns Tour opened just as the sun was setting with 38 Special, a band from Jacksonville, Florida who have a true, strong southern rock sound. Their many hits include their 80’s released “Back Where you Belong” and “Second Chance.” Lead vocalist Donnie Van Zant, brother of former Lynyrd Skynyrd frontman Ronnie Van Zant, had a very strong set and did a superior job keeping up with the fast and loud tempos of the background guitar and drum beats. When the band ripped into the song “Fantasy Girl,” the crowd got out of their seats and began to set the upbeat mood that would permeate the rest of the night, and it turned out to be one of their most successful songs of the night.

The anticipation for the next act kept people on their feet, as Bret Michaels, former lead singer of Poison, and his band took the stage. During his stint on Donald Trump’s Celebrity Apprentice, Michaels had many trips in and out of the hospital after he experienced a brain hemorrhage that put his life at high risk. Although his vocals and stance were a bit shaky, he put on a spectacular performance given his current physical condition. He kept the crowd going by playing many new tracks set to be released on his album Custom Built on July 6. Although it was odd to keep seeing photos of the girls from Michael’s past VH1 reality show Rock of Love pop up on the jumbo screen, Michaels kept his performance so down-to-earth and sincere that no negative judgments could be made. He closed his set with the much beloved Poison song “Every Rose has its Thorn,” and left the stage leaving the women in the audience crooning.

“I just really looked forward to Bret’s performance after everything he’s been through. I’ll be honest, it wasn’t the best performance, but I still loved it,” said 45-year-old concertgoer Patricia Gartland from Clinton, NJ.

Just as the stars were coming out and the beer cans were flying, Lynyrd Skynyrd’s seven-man band greeted the crowd with a drum and guitar solo introduction. Johnny Van Zant, the son of the deceased Ronnie Van Zant, carried such a deep, southern voice and attitude that was so reminiscent of his father’s that the differences between the two performers are minimal. After a devastating 1977 plane crash that killed a majority of the band, pre-crash member and guitarist Gary Rossington is the last of the original Lynyrd Skynyrd who still tours with the band. Although the actual Lynyrd Skynyrd no longer exists, the new bandmates do a great job of keeping their southern rock sound unique yet still reminiscent of the talent that has allowed Lynyrd Skynyrd to gain the recognition it deserves. Johnny Van Zant did great in covering hits such as “Simple Man” and “Sweet Home Alabama.” With his Confederate flag-draped microphone, Van Zant captured a deep connection with his audience and kept the high spirits up the entire set. After a loud encore, Lynyrd Skynyrd returned to the stage with a great rendition of “Free Bird,” which proved to be the best performance of the night.

Check out 38 Special, Bret Michaels, and Lynyrd Skynyrd as they continue their God and Guns summer tour into July, and then continue their touring with separate performances throughout 2010.

Jaws still Shocks Summer Viewers after over 40 Years


Who can forget that suspenseful theme song that has come to personify the horror movie industry – that simple E and F pattern that puts one on edge as soon as the melody starts. Who can forget that scene that left viewers scared to step even a foot in the ocean – when a young boy on a small yellow raft gets ripped to part by some colossal creature while his mother looks on in horror. Jaws, first released in 1975, is considered to be one of the first “high concept” suspense films and among many to be the father of summer blockbuster films. Even with the film’s rather outdated special effects, it remains a very popular and influential movie that continues to frighten beach goers every summer, making everyone think twice before splashing into the great blue abyss that may just hold a monster similar to the horrors of Jaws.

Starring Roy Scheider and directed by Steven Spielburg, Jaws is about a small, New England beach town that gets turned upside down after brutal shark attacks hit the coast during the town’s pivotal vacationing season. After positive feedback during advanced screenings, Jaws became the first movie to open nationwide, with a very successful outcome. Unlike other horror films, Jaws hit viewers with a situation that produced true fear and slapped them in the face with a scary reality, given that a shark attack could indeed happen to anyone willing to go for a simple swim in the ocean. Spielburg was ahead of his times by providing an exciting story that spoke to and deeply affected his audiences, both with physical and emotional fear. Because of the influences of this film, sharks were given a very negative and scary stereotype among mankind – a fear that still permeates among many beach travelers today.

Jaws paved the way for what today is known as the summer blockbuster movie, with followers including Star Wars and Transformers, and its influence on viewers over the past 40 years remains the same – one of fear, suspense, and horror. Once the weather starts to get warmer and the days get longer, many TV stations begin to air this film, knowing that summer viewers still enjoy the thrills and terror of such a great suspense movie.

The Sublime Sounds of Summer

You know it is summer when people begin to trade in jeans and sweaters for bath suits and flip-flops and weekend trips to the beach become more frequent than putting in overtime at work. The coming of summer also brings with it the need to rummage through old CDs in hopes of finding some good, classic summer tunes to make it through those long road trips to the coast – “Cruel Summer” by Bananarama, “The Boys of Summer” by Don Henley, maybe even Will Smith’s “Summertime”. But nothing marks summer more than the smooth, laidback sounds of reggae and ska. Bob Marley and UB40 top the list, but Dub Reggae band Sublime, especially with their single “Doin’ Time,” epitomize the true, lazy days of summer with their lyrics reminiscent of late-night gatherings with friends and the hardships of love, youth, and life.



footed by: paulh09



Although Sublime’s original front man Bradley Nowell passed away in 1996, “Doin’ Time” was released in 1997 as a loose cover of George Gershwin’s “Summertime.” The original “doin’ time” lyric was later changed and rerecorded by the band’s producer Michael Happoldt to “summertime” in order to keep with Gershwin’s version. The lyrics depict a man’s hurt after being cheated on by his girlfriend, and the song – like many other of Sublime’s music – is considered to be lounge with a strong reggae and punk-ska feel. Although such somber lyrics, the song’s laidback vibe with its hip-hop-infused beats – especially with the main chorus line “summertime and the livin’s easy” – makes for a great summer tune that never grows old.

“Doin’ Time” – along with many other Sublime tunes including “What I Got,” “Santeria,” and “Badfish” – are great tracks to have playing in the background at beach or pool parties on those hot, lazy days that make up most of July and August. With such a strong, bass-driven sound with some rather psychedelic guitar solos and sporadic drum transitions, Sublime seems to be the perfect band to listen to while laying out in the hot summer sun. Once played, such reggae-infused beats always brings back memories of the beach, sizzling sidewalks, and fun, crazy nights spent with friends.

Check out for Sublime this summer while they tour with their new front man Rome.

Summertime

Sunday, June 20, 2010

Jersey Couture Shines in a Jersey-Infused Reality World


The ever-changing world of reality television has recently been bombarded with various fist-pumping, poofy-haired, ultra-tan shows centering on the state that viewers have come to love to hate – New Jersey. Jersey Couture, Oxygen’s attempt at a summer reality series equal to the success of MTV’s Jersey Shore, seemed it would be just another outlet viewers could turn to after the finales of hit shows including Jerseylicious and The Housewives of New Jersey. An Italian family that brings more humor than hurt to drama with their strong accents and rough Jersey attitudes are nothing new to the world of Jersey reality TV. But Jersey Couture, which follows the Scali family as they try to maintain family stability while running a successful dress store in central New Jersey, brings a fresh dose of raw reality to the already wacky yet entertaining world that is Jersey reality television.

Jersey Couture focuses on the Scali family – including husband and wife Sal and Diane, daughters Kimberly and Christina, and son Anthony – as they help to run Diane’s successful dress store Diane and Co. in Freehold, NJ. The season premiere, which debuted on June 1, opened with Diane constantly bombarding her costumers and embarrassing her daughters with her quirky “booty pop” dance, and with Kimberly harassing younger sister Christina on the importance of responsibility and her need to find a healthy relationship.

Such family drama, which is so pure and genuine that almost any family could relate(even those non-Italians), is interspersed throughout the show while viewers are also shown firsthand how it is to run a small, family-owned business focused on a rather select customer base. Selling dresses proves once again how brutally honest the Scali women can be. If a dress makes a girl look like she has “muffin tops,” every woman’s ultimate fear when it comes to dress shopping, Kimberly will be sure point it out right away and go until she finds the perfect dress to fit the girl’s personality and body type. Although the Scalis sometimes bring family drama into the work place – which helps to keep the show’s entertainment factor high – the business’ success proves how well the Scali women can relate to their clients as your everyday-type of girls who like to feel special and shine on their special day, whether it be for a Sweet 16 or prom.

At a time when much of “reality” television seems to be more forced than actual reality, Jersey Couture enters with a cast not yet swayed by the powers of money and fame. The Scalis do not force drama and deep emotions in front of the camera because their lives are already full of such entertainment without it having to be exaggerated – at least in their first season. When Kimberly and Christina travel to Aspen in order to work a wedding, the cameras follow them as they work diligently to please the bride, but also follow the sisters as they fool around on the ski slopes and hit up the bars to scope out cute guys. The connection to these individuals that the viewer experiences – because the Scalis appear to be such down-to-earth people trying to make it as a family and business – is rarely found reality TV.

Jersey Couture will be sure to keep viewers – especially those self-proclaimed jersey girls – coming back for more with the humorous bickering mixed with the honest love and devotion that keeps the Scali family and business strong.

Jersey Couture airs on Oxygen on Tuesday at 10 p.m. EST.

To learn more about Jersey Couture, click here.

Friday, April 9, 2010

The Love/Hate Relationship with Reality TV

It’s Wednesday night and you have finally found some downtime to change into an old pair of sweats, kick back your feet and just relax. Turn on the TV and what ends up captivating your attention for the next three hours? So You Think You Can Dance, American Idol, My Super Sweet Sixteen… Over the past few years reality shows seem to have taken over primetime television. It started out with MTV’s The Real World and has now built itself into an empire of completely ridiculous concepts. It can be as vulgar as watching a contestant eat seven African Spiders in order to win $10,000, people are just unable to peel their eyes away from the television set.

I will admit it, watching Poison’s frontman Brett Michaels challenge a bunch of his bimbo groupies to set up his guitar equipment in the fastest time in order to win over his “rock star” heart on VH1’s hit reality show Rock of Love is quite entertaining. But in the end will Michaels actually find and eventually marry his true love thanks to the geniuses at VH1? The sad reality of the situation is that his supposed “love” will dump him a week after the season premier and go off to Hollywood to pursue her singing career, which was the primary reason she signed up for the show to begin with. Obviously, such shows serve no real purpose, yet they are broadcasted to millions of eager spectators like ourselves that tune in every week to find out which girl is next to get sent home with a broken heart and bruised ego.

That is not to say some hit reality shows - minding all of the glamorous prizes and never-ending drama - do contain depth in some respect. Shows such as America ’s Next Top Model and The Apprentice allow contestants to pursue their dream careers while shows such as The Biggest Loser give people the opportunity to regain their confidence and improve their health. Viewers watch in admiration all the emotion and dedication which such contestants exhibit, obviously a paragon of great television.

Now at this point I hope the majority of you are willing to agree that while many reality shows do appear to support a cause - although in a much fabricated manner - several others seem to air purely for the entertainment factor. Still, the ultimate questions remain; why do so many people obsess over these mind-numbing reality shows? Why do we torture ourselves in following the staged struggles and successes of such famed reality personas? The answer to such bewildering questions is easy: we’re bored and brainwashed. Face it; we all have that hidden desire to one day take a step out of our normal, everyday lives and to indulge in life-changing experiences which the entire world will also happen to witness. If you swear against falling into this “life fantasy” trap, admit that you still enjoy watching such hopefuls try to make a name for themselves in the entertainment industry with their fifteen minutes of fame.

So as absurd as it may be, reality TV appears to have a strong foothold in 21st century pop culture. Young and old alike crowd around the television set, prepared to cheer on their favorite reality superstars, hoping that in the end they win the title of the next best supermodel, stunt double or whatever the case may be. Maybe the chances of you becoming the next person to hit it big in reality television are not so high, but to sit comfortably on your couch while watching the mental breakdowns and joyful tears is enough reward in itself.

From Music Teacher to Music Supervisor, it’s all in the Passion

A few years ago, Stefano Graziano spent his time at Boston University running between the Fine Arts and Arts and Sciences buildings, instruments and papers flying through the air as he attempted to make it on time to teach one of his many music classes - whether on jazz, the Middle Ages, or the Renaissance. Today, Graziano takes a back seat to BU’s student life, but still manages to find time in the classroom to stimulate his passion for teaching.

“Now, I simply supervise student work. I assist students and patrons, not so much teach them,” said Graziano, sitting at his desk behind the Mugar Music Library window where he now works as an evening and weekend supervisor.

“Professors sometimes still ask me to come to their classes to teach and do demonstrations, and I’m always willing to do so. I enjoy interacting with students because even while teaching, you’re learning so much,” Graziano said.

Graziano, who lived in Italy before coming to the U.S. to attend Berkley University, studied jazz and got his Masters in Musicology before being offered the position as director of the music ensemble at Southwestern University in Texas. In 1999, he came to Boston University to finish his studies on Renaissance music and 16th Century instruments. He has taught for over 21 years, and enjoys working with professors and students alike. According to Graziano, age does not matter when it comes to the exchanging of knowledge.

“Art is like a heart, if any part of it ceases to exist, it will die. That’s why I’m interested in all aspects of music – the history, the art itself, the philosophy,” said Graziano. “Even as a professional, there’s always something new to learn.”

As a supervisor, Graziano finds more time for himself to continue his personal studies, and has recently found a hobby in playing the guitar. He hopes to compile a study on how the guitar influenced the sounds of jazz during the 1920s.

Although his job now requires Graziano to aid students only when they need general assistance at the Music Library, he still finds himself indulged in students’ work and learning when they individually come to him for help on projects or papers.

“It’s all a learning environment, whether I’m working alone in the library or together with a group of students in a classroom,” Graziano said. “But I definitely feel more directly involved when teaching and I miss that sometimes.”

After the library closes, Graziano stays late to continue his studies in jazz and Renaissance music in hopes of one day returning to his small hometown in Italy to help teach music education.

No Doubt breaks a four-year hiatus


I wrote this article in the summer of 2009. Gwen Stefani had just returned to the band No Doubt after pursuing a successful solo career, and this summer tour was the band's first since 2004. I had seen them back in 8th grade at the PNC Bank Arts Center when they performed with Blink 182, and I like to consider that my first "true" concert experience (I try to forget that I went to an NSYNC concert at Giants Stadium just a few years before...). So, of course I was pumped when No Doubt announced this summer tour and I was quick to buy tickets the day they went on sale :).

After a four-year hiatus, the 1990’s hit ska pop/punk band No Doubt reunites on a 2009 summer tour, promising to bring their beloved funk and spunk back to the stage. With no new record in the works, fans will not have to suffer through the latest mundane, unfamiliar recordings that bands tend to produce after so much past success. Instead, No Doubt assures a lineup of old-time favorites, including popular hits such as “Hey Baby” and “Just a Girl”.

No Doubt was founded by lead vocalist John Spence, backup vocalist Gwen Stefani, and keyboardist Eric Stefani in 1986. With Spence’s sudden death in 1987, Gwen Stefani took over lead vocals and gained much recognition due to her impressive vocal skills and upbeat stage presence. The band caught the attention of the Vice President of Interscope Records Tony Ferguson and was signed in 1990. No Doubt did not find immediate success until their 1995 album Tragic Kingdom, which aided in the ska revival of the 1990s; a time when grunge music ruled the airwaves. Their first hit single “Don’t Speak” is still widely recognized as the originator of what has come to be known as the modern ska-punk genre. Since their 1990’s success, No Doubt has released many records, including 2003’s Best Vocal Album Rock Steady and numerous “hit single” compilations. With many past changes in the band’s lineup, No Doubt presently includes lead vocalist Gwen Stefani, guitarist Tom Dumont, horns and keyboardists Stephen Bradley and Gabrial McNair, drummer Adrian Young, and bassist Tony Kanal.

With Gwen’s success at a solo career, No Doubt has remained a project on the backburner since 2004. They return to the stage in 2009 with the pop punk band Paramore.

After working at the local Dairy Queen in Anaheim, California during her teen years, marrying the successful lead guitarist and singer of the band Bush Gavin Rossdale, and raising two children of her own, Gwen Stefani is still able to possess the energy and intense passion as she did back in 1986. Her quirky voice combined with the “poppy” sound of Dumont’s talent on the guitar make for catchy tunes that any adolescent would enjoy. Bradley and McNair add flair with their unique horn sound, which captures the true spirit of ska. This combination of pop and ska added with a touch of reggae influence makes for an upbeat, danceable live show. Stefani’s sincere devotion and gratefulness towards her fans is evident in her stage presence and the band’s natural bond and talent is hard to ignore; even for the biggest No Doubt “hater”.

With such pop-infused melodies, many may find it hard to accept No Doubt as the ideal modern day ska band. But No Doubt has indeed made a success out of combining the two-toned tempos of classic ska with the harder, more modern sounds of today’s punk and pop. With catchy lyrics and an awesome stage performance, No Doubt is a definite on the list of tours to catch this summer.

For more info. on No Doubt's whereabouts, visit the band's myspace.

Westbound Train Crashes into Ska Scene


In today’s modern age of music, it is difficult to come across a band able to successfully capture the fervor of a ska-reggae-rock combination; a band talented enough to create danceable ska tempos instilled with just a touch of rocksteady beats. For those individuals nodding their heads along in avid agreement, it is finally time to turn off the radio and go check out the ska/rock steady-reggae sensation Westbound Train. Westbound offers that dose of ska/reggae/rock music that would give mainstream ska the kick it needs to successfully embody that old school reggae sound with today’s new age punk-ska.

Westbound Train first debuted in Boston, MA in 2001 and quickly gained recognition through their unique ska-combined-with-rock harmonies. In their 2006 album Transitions, the band combines horn laden tracks and soft bass guitar solos with lyrics which depict the family struggles one must endure while constantly on the road touring and promoting. Lead vocalist and trombonist Obi Fernandez sings with such passion and spirit that his stage presence is hard to ignore. These meaningful lyrics combine with choppy, off-beat rhythms to provide a laidback, makes-you-want-to-sway-back-and-forth atmosphere. This seven-member crew combines the sounds of untraditional rock instruments such as the trumpet, tenor saxophone and organ with more traditional rock‘n’roll sounds including the electric guitar and percussion to produce their own fervent genre of music; one which can only be deemed as funky-reggae-ska infused with jazzy-rock‘n’roll.

It is impressive how Westbound Train, although blatantly labeled a “ska band”, is able to disprove the typical stereotype that ska today is merely a style of dance that some crazy group of adolescents generated from the 1960s reggae music era. Just listen to tracks such as “Please Forgive Me” or “Ain’t Gonna be Easy”, and one will soon come to appreciate the talents of Westbound Train and how as a band these guys are able to pay great tribute to classic reggae while still maintaining a modern third-wave ska resonance. A touch of fresh rock is just another extravagance that one will experience when they listen to the music of Westbound.

Westbound Train’s unique sound and obvious talent has laid a new foundation for 21st century ska music. Take it from one of the masters of ska music himself Lynval Golding, former guitarist of the hit New Wave ska band The Specials, who has said that Westbound Train could one day become “the next ska sensation.” Hopefully it is true that one day, if ska fans are willing enough to broaden their views on the conventional modern day ska/punk/core band, Westbound Train will gain the recognition it deserves as a revolutionizing ska instilled rock band still able to sustain the old spiritual roots of reggae music.

Visit Westbound Train's homepage here.

Saturday, April 3, 2010

The Life of a World War II Veteran: Yesterday and Today

Sitting in his pale, pink kitchen – which has remained relatively unchanged since moving to the quaint, Boonton Township, New Jersey townhouse 55 years ago – 84-year-old Anthony Bellini sits with his 1943 high school yearbook, reminiscing about his days as a star athlete and being an all-around ladies’ man. “In high school, my two passions were football and foolin’ around with the girls,” Tony says with a smirk, while his wife of 57 years Lillian smacks him lightly on the arm. “What the hell, it’s the truth!”

“The only thing now is that most of the people in these pictures are dead. I’m trying to look for the ones still living,” Tony remarks. The varsity football pictures and senior superlatives – where Tony is named Most Talkative, Best Athlete, and Most Happy-Go-Lucky – soon turn to black-and white photos of World War II and the USS Boston; the reason for why he graduated high school early and risked his life for the next two years sailing the Pacific.

Looking at Tony, a World War II Navy veteran, you can tell he has lived a long and strenuous life. His movements are slow and he needs help walking the short distance from the couch to the kitchen table. With old age he has become very forgetful, jumbling the names of his grandchildren and not being able to keep up with simple small talk. Yet when it comes to reminiscing about the war and his youth, his eyes regain their sparkle and his memory suddenly revamps. He remembers the small details: how he wanted to be in the air force but did not have 20/20 vision in his left eye, how no one could get anything during the war because all supplies were rationed, and how he woke up one morning after a long night of celebration upon returning home from the war with a very mysterious new tattoo. The tattoo is of an eagle holding an American flag, to be exact, that now looks more like a muddled blur of gray ink on his wrinkling forearm.

“I shouldn’t be saying this in front of my wife, but when I got back to California after the war, I was just so happy to be off that ship. Me and a few buddies went to a cathouse and I must’ve ended up at a tattoo parlor down the road. I got up in the morning and my arm was all bloody and I thought ‘Oh, Jesus Christ.’”

Times have greatly changed since that wild night back in 1945, and Tony rarely makes it out of the house anymore. “Take a look at these pictures, my son-in-law found them off the computer! Technology nowadays,” Tony says with amazement but with a shared hint of sadness in his voice.

It seems that over the past few years many World War II veterans like Tony have come to experience that same sense of silent withdrawal from society. Their stories of bravery, struggle, and honor are being overshadowed by today’s fast-paced world immersed in advanced technology and material possessions. Sitting down with Bellini at his blue-and-white checkered kitchen table, I find a warm-hearted man reminiscent of his days as a young man who fought in a war, risked his life on the high seas, and who still found happiness in returning home with a mere $200 in his pocket. The memories of veterans such as Tony are fading quickly into the shadows of history, but their stories prove just how hard life was for them back then and how such small comforts we take advantage of today were cherished luxuries for the World War II generation.

Tony, who was born in Brooklyn on March 11, 1925, moved to New Jersey at age three with his father and younger sister after his mother passed away. He had his first job by age eleven. “I ran a milk route with my friend. I’d wake up at 4am and he’d come pick me up at 4:30am. We’d do our work, pick up some breakfast, and then head to school. I did that for three years and I’d get $5 a week. That was good money for back then.”

One can tell just by looking at his face that Tony was proud of this work and salary. He swears he did not break one bottle while on the job. “That’s how it was back then. You did what you could to get a little money in your pocket.”

In high school, Tony had no problem having to walk the two miles to and from school every day in order to play on the varsity football team, but when it came to his studies, things were not so simple. He wished to graduate early in order to enlist in the war, but was told he had to write a total of six English reports in order to receive his diploma. “I eventually had to ask my lady friends to do them for me. Let’s just say I ended up getting more reports than needed, and I passed. I got my diploma early.”

“Quit acting like hot-stuff, Tone,” chimes in his wife, Lillian. “You aren’t so hot these days now, are you?” The whole evening plays out this way. The couple constantly bickers. Tony tells Lillian to go make him some coffee and she responds by telling him to work his legs for a change and fix it himself. But beyond this playful arguing still lies a couple with a bond thicker than blood. A 57-year marriage – with six kids and nine grandchildren later – Lillian will still help Tony when his knees decide to give out on him or if he needs help getting dressed in the morning.

“I met Tone at a carnival in Boonton after the war when I was 20. I was there with my sister,” Lillian recalls. “Oh, we used to break up all the time. He was supposed to be the Best Man at my sister’s wedding, but we had a fight and broke up at the time.”

Although she did not experience the war firsthand, Lillian had to deal with her own dose of reality with the coming of World War II. “I had two brothers in the war, one in the Army and one in the Navy,” Lillian says. “My brother Sammie got injured his first day there. He hurt his leg at Iwo Jima and received the Purple Heart. When he got home my mother and I would take the bus to and from Long Island every day in order to see him in the hospital.”

Like many young women during this time, Lillian had to drop out of school in order to find a job and make some money to support her family. During the war she worked at a factory with her mother that made materials including canteens for the army. “I wish I could have at least finished off high school and graduated, but I had no other choice. I needed work and work needed me,” Lillian states.

“Don’t you be complaining, I was in the war! I missed my life, freedom!” Tony exclaims. After graduating high school early in 1943, Tony headed to Great Lakes, NJ where he was tested by the army and received a high score of 90 on his written exam. “They told me that I needed to go to radio school, but I wanted to be involved in the action.” After being sent out to school in Miami, Ohio, he got into a fight with a classmate and would not apologize. “They finally realized then that I wasn’t meant for school, so I was sent to fight out in the Pacific.”

Tony served the next two years on the USS Boston, a Baltimore-class heavy cruiser and, according to navysite.de, the sixth ship for the US Navy to be named after the city of Boston. “Our job was to protect allied carriers, so yeah, we saw a lot of action,” he recalls. Tony says the ship was 800 feet long and was in charge of following and protecting numerous allied battleships and cruisers. According to Navy History and Military Command, in early 1944 the USS Boston participated in raids of the Philippine Islands and Luzon and in the invasion of Guam. Although Tony witnessed intense battle and action, he says fear was never a factor. “You don’t get scared. It’s adrenaline. You see a plane that’s not yours, and you think‘sonofabitch!’ but you never worry. It’s your job.”

Tony remembers vividly the one time in the Pacific he did come close to being scared. “A plane was above me, but didn’t hit us. Oh, but he was close. He was aiming for the carrier with us. We killed him first though. I still remember his face. He was Japanese. I can still see those leather goggles he had and that expression on his face. Now that was somethin’.”

Unlike today, communication with friends and family for the soldiers of WWII was nearly impossible. Not only was soldier-life completely isolated, but getting simple materials like food or clothing was just as difficult. “The one thing I missed most being on that ship was life. You couldn’t get nothin’ during the war, there was just not much of anything. Everything was rationed,” Tony remembers.

“I remember my mother would send packages to my brothers during the war. She would empty out oil cans and fill them with food and little supplies,” Lillian adds.

That is one of the reasons why Tony claims he joined the Navy in the first place. “The army was what got us out of the Depression. The US built the ships and war materials for the British. If it weren’t for that, who knows how much worse it could have been.”

Tony remembers that when he first returned home to the United States after the war, he and a few soldier friends got stranded during a trip to Las Vegas. All of their clothes, money, and cigarettes were on board the ship that had already departed. “I had $200 in my bag, so I was worried. That was all I had and it was a lot of money,” Tony exclaims. When the men called ship patrol and got their belongings back, everything was accounted for but the cigarettes. “That was a bummer. You weren’t supposed to smoke in the Navy, but cigarettes were a rare luxury for that time. They only cost 50 cents a pack back then, but they were hard to get hold of.” Tony’s one delight upon returning home from the war was found in this simple pack of cigarettes.

His actual return home to Boonton, NJ was no more of an extravagance either. After taking a train from Chicago to Newark, he took a shower, threw away his ragged clothes, got changed, and took the 116 bus home. At the time, so many young men were off fighting the war and so many families were going through such difficult times, that Tony’s return home was not a call for any special celebration. “My main thing was to meet up with old friends, see which ones had died,” Bellini remarks.

“Actually hearing his story in full makes you really sit back and think. I should definitely get this on video someday before he completely forgets everything,” says Tony’s 45-year-old son Mark. We’re still sitting in the Bellini’s kitchen; Tony has finally gotten his cup of coffee and Lillian has just pulled out a deck of cards.

“My wife and her card-playing, she’ll play with anyone who is willing,” he laughs. The youngest Bellini daughter, Lisa, has just arrived to check on a fresh cut on the back of Tony’s head.

“He’s been falling all of the time lately and keeps hurting himself. Good thing he had better agility while in the Navy,” she says with a chuckle, but you can tell she is truly worried about her father’s age and physical condition.

“Don’t worry about me, I’ve survived the war and living with your mother, we’ll see if I can make another Thanksgiving,” Tony jokingly responds to lighten the mood. He picks up another picture from an old newspaper. This one is of all the young men from Boonton who served during WWII. “I hope those boys out there today in Iraq and Afghanistan have it easier than we did. Hey, they must, at least they have TV.”

Thursday, April 1, 2010

The “Heart and Soul” of the Boston Globe dies at 73

I had what at first appeared to be a rather difficult assignment for my News Writing and Reporting class, but after getting started with interviews and searching background information, I found myself feeling very accomplished and at ease after finishing the piece. It is an obituary for Rose Devine, who formerly worked at the Boston Globe's message center before passing away from cancer on March 14, 2010. After reading about her life she seemed like a very wonderful woman who will be missed dearly at the Boston Globe.

The Boston Globe has lost what many of her coworkers believed to be the “heart and soul” of the Globe community.

Rose Devine, who worked at the Globe’s message center for over 20 years, died at the age of 73 on Sunday, March 14, 2010 after a battle with lung cancer. She lived in Bridgewater, MA and is survived by her husband John Devine and their four daughters, Kathi Cuprinski, Karen Mussari, Maureen Callahan, and Patti Smith. She also leaves two sisters, Barbara McDonough and Agnes Rexroad, and 12 grandchildren.

At the Globe, Devine managed to transform an impersonal job into one that produced intimate and personal relationships among each individual she worked with. She made it a point to personally acquaint and concern herself with each reporter, which gained her recognition at the Globe as a prominent figure who not only made a reliable telephone operator, but also a dependable friend.

“She made it a point to get to know everyone. She was just an incredibly warm and loving person,” said Eileen McNamara, a former Globe metro columnist. “I remember one day I was having a crisis, and she had me over for lunch. We had lunch in her kitchen in South Boston.”

“Whether it was from a spouse a child or the mayor, Rose would have the message ready for you,” said op-ed columnist Joan Vennochi. “Her level of involvement at the Globe went beyond message operator because she truly cared about the news and the people involved with it.”

Many of her colleagues at the Globe came to trust Devine’s personal instincts and observations when dealing with sources. Instead of taking a secondary role to the reporter, Devine engaged herself in her work until her retirement in 1998.
“I was always struck by her good judgment, she always based her opinions on real experience,” said City & Region reporter Brian Mooney. “Rose always knew who was a good person and who wasn’t.”

Given the hectic environment that typically surrounds a newsroom, Rose was the person to go to when one needed a brief break or pep talk. According to former Globe editor and now Head of Communications at Notre Dame Matthew Storin, there was rarely a time he would pass by Rose’s desk and not see someone there talking to her. Colleagues not only went to Rose to receive their messages, they went to her to gain great personal advice for both in and outside of the newsroom.

"When my daughter was a toddler and could not get over a bad cold despite trips to the doctor, I worried aloud about it,” said columnist Bella English. “Rose said, ‘Bella, she's got pneumonia. Tell the doctor you want an x-ray.’ Sure enough, I took her in and sure enough, she had pneumonia. On the right antibiotic, she was better in days."

Growing up in South Boston, Devine was an avid fan of the Boston Red Sox and was a woman who always put family first, especially her grandchildren. She helped to raise money for the Cystic Fibrosis Foundation when her grandson was diagnosed with the illness and got many people in the newsroom devoted to the cause.

“I remember one year they put on a tennis tournament to raise money and it was really an act of love and devotion on the part of the staff who you normally couldn't get to do anything outside of work. But with Rose it was done without question.” said Storin.

Devine’s charming yet sharp-witted spirit pervaded the newsroom and enlightened those who came to her for help and advice.

“Without even seeing her you knew she was there, because she was – literally, emotionally, spiritually,” said Globe photojournalist Ted Gartland.

A funeral Mass was held for Devine at 9 a.m. on Thursday, March 18 at St. Thomas Aquinas Church in Bridgewater. She was buried Friday, March 19 at Pine Hill Cemetery in Dover, NH.

Wednesday, March 31, 2010

Zombieland


So here's a movie review for Zombieland I did a few months ago for one of my journalism classes... one of my favorites :)

Nothing screams dark-comedy classic more than a cannibalistic nation filled with pus-skinned, blood yearning, flesh-eating zombies – and a group of four social misfits left to fend for themselves with nothing more than a few guns and a yellow Hummer (and yes, these four are of the breathing, pulsating type). In Zombieland, director Ruben Fleischer epitomizes the American zombie movie with blood and guts galore, adding just enough quirks and wit along the way to produce a few good laughs. Zombieland makes for a unique horror movie experience by combining the fan bases of both the teenage-slasher and black humor genres. This mix provides the two fundamental elements any zombie movie enthusiast would enjoy – fresh humor and pure revulsion.

Zombieland opens with one of the very violent, barbaric zombie attacks which sporadically take place throughout the film, leaving us to either cover our eyes in fright or to fall out of our seats in fits of laughter. The scene takes place in front of the White House – with Jimi Hendrix’s version of “The Star-Spangled Banner” playing in the background – as innocent bystanders get brutally mutilated and eaten by hundreds of crazed zombies. A scene that would normally incite disgust is made humorous through the overabundance of fake, syrupy blood and the witty side remarks made by main character and narrator Columbus (characters are referred to by hometown rather than by actual name), played by the talented Jesse Eisenberg. With chaos and destruction abound, Columbus blatantly states, “Welcome to the United States of Zombieland.”

Columbus, a goofy loner obsessed with World of Warcraft, Code Red Mountain Dew and his deep-seated fear of clowns, concocts a list of 32 rules that he swears by during a zombie attack. Writers Rhett Reese and Paul Wernick do a wonderful job of adding comic relief through Eisenburg’s character, making his quirky personality one people can both laugh at and personally relate to. Columbus’ first rule, “Cardio,” is introduced during a scene when an obese teen is run down and slaughtered by a zombie, with Columbus pointing out that “the fat ones were the first to go.” These rules pop up whenever a zombie attack ensues, as if the movie resembles a game show and the rules are blinking bonus hints to help ensure survival.

The plot builds momentum when Columbus crosses paths with Tallahassee, a washed-up, banjo-playing cowboy wannabe played by a riotous Woody Harrelson. Tallahassee’s tough exterior eventually gives way to laughable, childish behavior. He can smash in the head of a zombie without a flinch but gets upset and throws tantrums whenever he is unable to find a Twinkie. Tallahassee’s take on the zombie apocalypse adds an entertaining sense of morbidity to the film. At one point, driving down the street, the two come across a zombie-woman dressed in a nice business suit tearing the flesh off of her victim, and Tallahassee nonchalantly points out, “She’s just enjoying her manwitch.”

Columbus and Tallahassee eventually join ranks with two con-artist sisters, and the rest of the movie follows this odd group as they attempt to trust one another as family while simultaneously having to avoid zombie manslaughter. Abigail Breslin perfectly executes one of her first “grown-up” roles as the younger sister Little Rock (no longer is she the goofy, lovable Olive from Little Miss Sunshine), and her character bonding with Harrelson onscreen is genuinely believable. Tough guy Tallahassee eventually grows a soft spot for Little Rock, treating her as if she’s his own daughter and even teaching her how to correctly aim a gun at a Zombie’s brain in order to guarantee a satisfactory death.

Such eccentric personalities and scenarios set Zombieland apart from other well-known zombie movies. While movies such Night of the Living Dead and Dawn of the Dead focus on just how much blood and violence one can fit in to a mere two hour timeframe, Zombieland takes the plot a step further by exploring actual character development and relationships. Instead of people leaving a theater with the profound yet pointless knowledge of which character can better handle a machete, Zombieland allows the audience to feel for its characters and to connect with them on a much deeper level. Such authentic character bonding along with over-the-top gore and wit (picture 2004’s zombie-comedy Shaun of the Dead without all of the blunt British commentary) allows Zombieland to stand out among a large genre of cult-classic films.

The film progresses as the battle between human survival and complete zombie takeover finally comes to a head at a very ironic location – a happy, childhood amusement park in California called Pacific Playground. The hardcore battle scene that follows almost feels like a videogame sequence. Rock music blares in the background as the four humans left on earth ride the rides and take aim at the numerous targets surrounding them, hitting each one with precision and vigor and making for a truly revolting and sidesplitting finale. Music composer David Sardy does a terrific job at fitting gruesome zombie scenes with rather ironic music choices. A slow motion killing spree accompanied by classical music and intense, limb-bashing moments accompanied by heavy rock ballads greatly add to the film’s overall sardonic feel.

It seems that every teen horror movie (even the few great ones) must have a sappy teen romance embedded in the plot somewhere, and this holds true for Zombieland. Emma Stone plays Wichita, the older sister and a true bad girl at heart, who eventually finds a “hero” within Columbus after he comes to her rescue at Pacific Playground. He miraculously sheds his scaredy cat image in a mere five seconds and fights off about 20 blood hungry zombies in order to pull off the ultimate movie rescue of Fall 2009. But who can really blame Fleischer for taking this direction. The only two horny teenagers left in a nation full of man-eating zombies were bound to fall for one another in the end eventually. A slightly corny scenario does not take away from the overall success of the film, given the many instances of pure entertainment, including a brief appearance by Bill Murray playing himself.

The great direction led by Fleischer and the outstanding cast makes Zombieland a great zombie flick, right when many modern horror movie ratings were beginning to falter. Zombieland’s clever combination of terror and humor appeals to a wide range of moviegoers and brings about a storyline truly different from the stereotypical zombie flick. The zombie attacks are extremely gruesome and violent in every way, but the eccentric ways the main characters face and interact with these problems adds a great dose of humor. As Columbus would say, “It’s tough growing up in Zombieland,” but it is not tough to enjoy its blood, guts and outrageousness.